Post by Deleted on Oct 3, 2014 5:04:28 GMT -5
The year was 1870. The Opera Populaire was being placed under new ownership and a beautiful chorus girl by the name of Christine Daaé became their brightest star with much frighteningly loving prodding from the mysterious man known as the Opera Ghost. Daaé believes him to be the Angel of Music, sent by her father after his death when she was young to coach her in the vocal art. Madame Giry, the ballet mistress, knows this man’s true face and serves his every desire as her ballerina daughter, Meg Giry, believes he is but a phantom. The Phantom steals his prodigy away in a night of both confused fear and compassion before her heart is later stolen away by the young Vicomte, Raoul de Chagny. After a performance none of them were likely to forget in which the grand chandelier plummets from the ceiling and the stage sets a blaze, The Phantom takes Christine away once more into his lair in the catacombs beneath the Opera Populaire and once Raoul is captured and in danger he gives her an ultimatum. To free her lover and remain his for all time or to refuse him and in turn end the Vicomte’s life there. When she selflessly offers herself to him he sees that her heart truly lies with Raoul and sets them both free, destroying his home. Meg Giry finds his empty lair and presumes him dead...
Just a little over ten years after the horrors of the Opera in Paris Christine Daaé is now wife to Raoul De Chagny, the now alcoholic and gambling addicted Vicomte, and a mother of a ten year old son, Gustave. Her family is invited to Coney Island for Christine to make her American debut. When they arrive, much to Raoul’s disgust, they are greeted by a trio of side show freaks who claim to be sent by their host. It isn’t until they arrive that the motives are revealed and, as Raoul awaits their host in the bar below and their son slumbers in his room, Christine is visited by none other than The Phantom. He reminds her of their passion and she confesses she had loved him but when he begs her to sing for him she refuses still. Her decisions have been made, poor as they may be, and she can not turn back now. Gustave walks in on their scene, frightened, and The Phantom waits to use him as leverage. With the threat placed Christine agrees to be in his show. The next day she meets the current star of Phantasma’s show, Meg Giry, and is overjoyed to see her dear friend. Meg returns this joy until she finds out why her old friend is there. Eventually the truth comes out when The Phantom takes Gustave to his new lair and finds that this boy is too much like him to belong to Raoul. A bet is made between the drunken Raoul and Phantom that Christine would perform as promised. If she did Raoul would leave alone and if not they were free of him forever... Raoul, clueless, agrees. The news of Gustave reaches the Giry’s and causes a break within Meg. And so on the tragedy goes and Christine does perform his new song ‘Love Never Dies’, breaking the heart of her husband and quickening the life in both her and The Phantom. But their touching scene is cut short when they realize their son is missing. In a horrid, confused scene by the water a crazed Meg is talked back from the brink my Phantom, only to be nudged back again when he once again compares her to Christine’s perfection. In a struggle the gun she’d been holding goes off and Christine is hit. With her last strength she tells Gustave The Phantom is his real father and tells her true love that their love would live on...
But what does all of this have to do with anything? It’s just a story right? Well....
It is 2012. In Australia, home of the grand Opera House, a young woman by the name of Crissa Wilde is trying with all her might to be noticed in the theatre scene. She pays her way through her performing arts classes by working as a stage hand at the Opera House. Her boyfriend and childhood friend Ralph doesn’t understand her love of the stage, her yearning to perform, and is constantly trying to convince her to leave Sydney to travel the world. He has all the money in the world, growing up successful businessman’s son, and although he loves her with all of his heart he just can’t seem to make her happy. But she stays with him, clinging to the familiar.
Meanwhile the main composer employed by the house is having trouble finding a muse. He finds the leading ladies of late to be dull and tiresome and refuses to write for them. No one really knows what he looks like, and when he does address people he wears a mask over half of his face.
Crissa hears of an audition for the upcoming production of ‘The Phantom of the Opera’ and excitedly prepares.
Could it be that the characters of this famous play were once quite real? And could it be possible that these souls live again and if so... will history repeat itself?